97 million people · 45 million motorbikes
a cinematic journey across Vietnam by motorbike
LIVE CINEMA presents
a BLANCHE PICTURES production
directed by Esther Johnson
directed, written and edited by
Nguyễn Lan Hương
sound design by
Centre for Assistance and Development of Movie Talents (TPD)
Vietnam Film Institute
Ho Chi Minh famously said, “Nothing is more precious than freedom and independence“.
DUST & METAL (CÁT BỤI & KIM LOẠI) brings together for the first time, a live cinema documentary featuring past and present stories of freedom in Vietnam. With a population of 97 million, and 45 million registered motorbikes (amongst the highest in South East Asia) that’s almost one bike for every two people. The countries urban roads, and ‘hẻm’ alleys that are too narrow for cars, are awash with the transportation of goods of all types and sizes on the back of motorbikes, including washing machines, entire families, and chickens. The sounds of engines and horns create a symphony of Vietnamese life.
DUST & METAL takes the form of a creative documentary in the vein of director Esther Johnson’s live cinema feature film ASUNDER. Through the repositioning of difficult to access archive film, contemporary footage, and a live score composed and performed by Vietnamese artist Xo Xinh, DUST & METAL will make rare archive film available to new audiences, and illuminate unfamiliar histories of Vietnam.
A symbol of Vietnam and its history, motorbikes encompass notions of work, class, travel, technology, and escape. Owning one has enabled movement and enterprise for millions of people. During the war in Vietnam, bicycles were invaluable for transporting supplies through the narrow ‘hẻm’. Bicycles have been replaced with motorbikes to navigate the growing waves of traffic. In response to national and international debates on climate change, urban planners in HaNoi aim to ban petrol/diesel motorbikes by 2030 in an attempt to ease traffic and curb pollution. In response companies in Vietnam are producing electric motorbikes as an alternative form of transport.
Media narratives of Vietnam tend to show the country either through a tourist lens (the Golden Bridge, Ha Long Bay) or through Hollywood versions of the war in Vietnam. These views contrast with news stories on human trafficking and the case of 39 Vietnamese nationals who died entering the UK in the back of a truck in October 2019. The contrasts are symptomatic of the country’s complex opposing identities as a tourist destination, communist nation, and growing GDP in a time of flux. Stepping away from dominant depictions, DUST & METAL offers an unorthodox perspective of Vietnam that merges sound and vision for an immersive appreciation of a unique cultural heritage.